Les Miserables tickets

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Les Miserables

Cameron Mackintosh’s acclaimed new production of Boublil and Schönberg’s musical Les Misérables will re-open the renamed Sondheim Theatre on 18th December 2019.

This brilliant new staging has taken the world by storm and has been hailed “Les Mis for the 21st Century”.  Seen by over 120 million people worldwide in 52 countries and in 22 languages, “LES MISÉRABLES” is undisputedly one of the world’s most popular musicals.

Storm the barricades for a ticket!

Access Information

For information on accessibility please contact 0344 482 5137.

Address

51 Shaftesbury Ave London W1D 6BA

Cancellation Policy

No refunds available after purchase.

Delivery Method

Collect at the venue on the day (you will require a form of ID).

Duration

2 hours 50 minutes with one interval

Good To Know

Patrons please note: the performance includes gunfire, smoke and flashing light effects. Please note: The seating plans are not accurate representations of the auditorium. While we try to ensure they are as close to the actual theatre plan as possible we cannot guarantee they are a true representation. Customers with specific requirements are advised to discuss these with the theatre prior to booking to avoid any confusion.

How Does It Work

You will receive a confirmation email please print the confirmation and bring it on the day, a minimum of 30 minutes before the performance start time. You will also need to present a Valid ID (something with your name on it e.g. drivers license, bank card) and your confirmation to collect your tickets.

Suitable For Children

Children are welcome at all Delfont Mackintosh Theatres, but this may be subject to individual production age restrictions due to content. If any age restrictions for productions apply we shall advise you prior to the performance.

All persons aged under 16 must be accompanied and sat next to the accompanying adult. They may not sit on their own within the auditorium. If children do have separate seats, entry could be refused.

All patrons, regardless of age, must present a valid ticket to gain entry to the theatre. Please ensure that any children or infants for whom you are responsible also have a valid ticket. Your child should be able to sit unaided within the purchased seat. We do not allow children to be seated on an adult’s lap or babes in arms. 

The age recommendation for Les Misérables is 8+ but we advise contacting your ticket agent direct for full details on production content 

Times

Monday - Saturday: 7.30pm Wednesday & Saturday: 2.30pm

Where Do I Go

Shaftesbury Avenue

London

W1D 6BA 

By Train-CharingCross (approx. 550m) 

By Tube- Piccadilly Circus (approx. 250m) By Bus -14, 19, 38

Sondheim Theatre

51 Shaftesbury Ave London W1D 6BA

Latest customer reviews

  • Les Miserables

    24 January 2020

    Brilliant production, loved the new scenery and effects. Missed the turning stage, but still liked the changes. I have seen Les Miserables many time and it still enthralls me. Beautiful theatre.

    Janis Perry Confirmed ticket purchaser

  • 24 January 2020

    good

    baozi Confirmed ticket purchaser

  • Les Miserables

    24 January 2020

    I have seen this show 7 times now and I'm still marvel at the enjoyment of it. The staging is fantastic and so different but the same, if you know what I mean. The acting was first rate throughout the show. There will probably an 8th time i am sure 100o/o x

    Shirley Little Confirmed ticket purchaser

  • 23 January 2020

    A M A Z I NG ! Just when you thought it couldn't get any better ... It does! New and different production in the beautiful Sondheim Theatre - in no way does it disappoint. Go, see & ENJOY!

    Sue Mac Confirmed ticket purchaser

Latest critic reviews

  • At the Queen’s Theatre, the longest-running musical in the West End shows no sign of neglect. The “house full” signs were up and there was a standing ovation the night I attended… In all key respects, Trevor Nunn’s original RSC staging has stood the test of time well: the revolve whirls tirelessly, lending a cinematic fluidity to a bustling, beautifully lit spectacle which, using John Napier’s pile-it-high design and tons of dry ice, memorably evokes the 1832 Paris uprising, when the downtrodden masses (some of them) protested against the monarchy of Louis-Philippe. With its emphasis on poverty and injustice, mood of angry disillusion and yearning for redemption, it may be that the through-sung piece speaks more to our own troubled age than it did to the Eighties...

    The Telegraph

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