The American Clock tickets
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The American Clock
Sule Rimi (Sweat) will be replacing Giles Terera, Rumi will perform from March, 4th.
For them the clock would never strike midnight, the dance and the music could never stop...’
The American Clock turns and with it, fortunes rise and fall. In 1929 in New York City the stock market crashed and a generation’s lives were changed. Facing an unforgiving future in a once-familiar world, we follow a broken community as they summon the courage to work out how to live.
In an exciting and unconventional staging, visionary American director Rachel Chavkin (Natasha, Pierre & The Great Comet of 1812, Hadestown) transforms Arthur Miller’s adventurous play into a time-travelling reflection on the formation of modern America.
- Cancellation Policy
No exchanges or refunds after purchase.
Act 1: 1 hour 35 minutes
Interval: 20 minutes
Act 2: 1 hour 15 minutes
- How Does It Work
You will receive a voucher after purchase. Please print and present on arrival.
The appearance of any particular artist cannot be guaranteed. If in doubt please check with the Box Office before booking.
PLEASE NOTE: FOR YOUR COMFORT AND SECURITY, YOU MAY BE SUBJECT TO ADDITIONAL CHECKS ON YOUR VISIT TO LONDON THEATRES – WE APPRECIATE YOUR PATIENCE AND UNDERSTANDING WHILE THESE ARE TAKING PLACE.
- Suitable For Children
Suitable for ages 11+.
- Where Do I Go
The Old Vic, The Cut, Lambeth, London SE1 8NB
The Old Vic, London.
Latest customer reviews
Excellent, dynamic staging
16 March 2019
Dynamic production, excellent performances, wonderful portrayal of a very interesting time in American history.
Dani Confirmed ticket purchaser
Strong performance of a long play!
12 March 2019
Having no prior knowledge of this Arthur Miller play it came as a bit of a surprise that it lacked a normal plot line and would be over three hours long. However I thought that the performances were strong throughout with some effort in the production to add some light heartedness to a story about a dark time in US history.
Andrew Confirmed ticket purchaser
28 February 2019
Despite luke warm reviews in some papers I and a friend, both avid theatre goers, were delighted with the performances, direction,sets and music of this excellent show. An Arthur Miller fan of many years I am pleased this rare play has been made available and would urge anyone to go. The energy and talent of all the cast is infectious and Clark Peters gives yet another brilliant performance.
Judy Murray Confirmed ticket purchaser
24 February 2019
What an exceptional version of The Clock. The use of music and dance heightened the awfulness of the situations forced upon people during the Depression. The staging to was effective and enabled the story line to be 'pushed' along. Thank you.
Alison Shepherd Confirmed ticket purchaser
20 February 2019
This was an amazing show from start to finish dealing real life experiences of the Wall Street Crash and how people survived the depression from the 1930's to the 70's. Excellent performances from the cast especially Clarke Peters Clare Burt & Paul Bentall. The whole deserve a standing ovation every night
Peter Thomas Confirmed ticket purchaser
19 February 2019
The American Clock is never going to feature in lists of Miller’s best plays, but it deserves a better London outing than this. The director’s cisikn intrudes on a simple narrative and adds 30 minutes to the show, to bo good effect.
Philoctetes Confirmed ticket purchaser
19 February 2019
Perhaps my mistake, but I had no clue it was going to be a musical! Can’t stomach those, especially about such a serious subject as the 30’s depression.
sixstring Confirmed ticket purchaser
Turning the clock back
17 February 2019
Interesting historically but clumsy in your face staging and falls over itself to Be politically correct
Lisa bish Confirmed ticket purchaser
15 February 2019
Although the 4 of us quite enjoyed the American Clock by Arthur Miller we all found it trying to get too much history in without enough character development - and too many characters played by the same - though very talented cast. Great singing and dancing but confusing ideology. It is not enough just to believe in anything as one of the characters said and seemed to reflect Miller's belief. The second part seemed to be much more on the ball with some strong marxist analysis. Not up to Miller's plays like A View from the Bridge or Fathers and Sons. Shame the Old Vic only had toilets outside on ground floor!!!
John Haywood Confirmed ticket purchaser